My works are created from the seam line between order and mess, planning and spontaneity. I strive to have them reflect processes of cultural and material research, which always surround a central theme. My work process starts with tracing the origins of different phenomena in culture, their history and their personal meaning to me. Through my work, I seek to express the full range of human interpretations of objects, landscapes, processes and places.

The inspiration for my work comes from two sources, external and internal. I gather sights and sounds through the urban landscape, observing the plethora of demolition and construction processes taking place, and listening to the noisy city sounds that somehow give me peace. Handling space affects every aspect of my life, whether aimlessly walking around the city, or within the world of dance and choreography to the arrangement of rooms and my ability to move within them. In all these cases, organization and planning meet chaos, turmoil and dirt - and from these encounters fascinating images are born. Alongside the external phenomenon, I often dream about my works before they are actually created: they appear before me as finished images, but the actual process of creation always leads to a different, separate and surprising result.

My way of working is also made up of two inverse processes: I always work on several works at once, in a systematic and orderly way, but each piece in itself develops spontaneously and intuitively.  Transitioning from work to work in this way allows me to dive deep, while maintaining distant and calculated observations. The materials I work with also represent a dimension of dirt and mess, since I tend to work with recycled materials collected from the outside such as used books, newspapers, fabrics and pieces of wood. On top of these materials, I work with a variety of techniques, from smearing paint layers, pasting and folding papers to squeezing tea onto the paper. And, from the planned process of trial and error, the work layers are built one by one, until the final product contains both the chaotic action and the internal logic that guides it.